So with the truncated rehearsal period, Opolais found herself adapting to the stagings, but being unable to delve deeper into the psyche of the protagonist. She flinches at the notion of diva-dom. I have a suitcase of emotions to choose from and an abundance of life skills. She doesnt need poison. 17:55 Affaire conclue : la vie des objets. Kristne Opolais admits this is the only word to describe how, when she became a member of the chorus of Latvian National Opera at the age of 22, she found herself swept up in a new and intoxicating world, astonished by the power of opera to engage and move. Im no longer me and the audience isnt there. Kristine Opolais is one of the most sought after sopranos on the international scene today. My decision to say yes that morning was an enormous catalyst in my career it changed everything. She needs to see her mother happy also. I had been partying with colleagues after the production (laughs), there was no way I could do it! Now her perspective has shifted somewhat on the role, as she feels that Cio-Cio Sans sacrifice comes with the understanding that her child will be in a better place without her. And she is very talented, but she is also very shy.. Opolais admits that for better or worse, she has always been one to do things her own way. All rights reserved. The birth of their daughter Adriana that December marked another joyous milestone. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. 17:05 Affaire conclue, tout le monde a quelque chose vendre. Technique in singing is only important in how it frees you to give yourself completely to creating the character. Concert (Konzert), Various Concert/recital/oratorio. WHERE DOES YOUR HEAD GO WHEN YOU PERFORM? At Thursday night's performance, she seemed to be micromanaging her voice, sacrificing volume and color for a consistent if grainy tone. Opolais\s interpretations draw primarily on her imagination, but sometimes on her own experience. When people ask me how it\s possible that I sang Aida or Tosca at that stage in my career, I have no idea. Enter your email address below and well keep you up-to-date with the latest Opera news. In this honest and humble interview with. . Its hard to be so-so everywhere so I wanted to give myself time to recover psychologically.. Perceptions of her voice still vary, but the elements she brings to a performance, translating to both CD and DVD, are undeniable: natural bearing, a vibrant intensity, whether ecstatic or deranged, and the sheer physicality of her characterizations. By continuing to browse this site you are agreeing to our use of cookies. The results were widely lauded and Opolais couldnt be happier. If you dont take risks, youll never drink champagne. There was a lot of shit in my past, thats the only word I can use to describe it. So, how much is Kristine Opolais worth at the age of 43 years old? When shes done right, shes an extremely sexy and sensitive heroine. Of course, Butterflys experience last far longer than Angelicas, with the latter opera lasting only 50 minutes. Today I can only say that Im thankful for my experience as I really know what bad is. After all, this is an artist who decided to drop out of the conservatory despite being told repeatedly that she would never have an opera career if she didnt finish her studies. She sang intelligently, finding considerable power in her essentially lyrical voice when required.\, The looks speak for themselves, though photos don\t do justice to her porcelain skin or the Baltic-pale eyes. Design by Marshall Light Studio, Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. Known as "haunted and focused" Kristine Opolais brings a breath of fresh air to the operatic stage. And I knew that that was not good for her either. At home, I am a mother, a daughter. At home, I am a mother, a daughter. She had to do it her way. When Im in love Im extremely jealous and when Im not, I couldnt care less. What keeps her living? In Act 3 Opolais somehow took on a pallor, gradually crumpling as life drained away, all the while sitting on an ordinary chair. So 12 hours -- that's a lot!" Alagna told AFP in his dressing room at the New York opera house. The soprano also noted that she is set to reprise the role of Manon Lescaut in upcoming seasons and is also set for her first Adriana Lecouvreur at some point in the near future. Im not saying that Im a killer (laughs), but I understand her passion and envy. As soon as you are limited and someone tries to put you in a box, it can kill you as an artist.. When shes done right, shes an extremely sexy and sensitive heroine. The soprano noted that this return to her own identity came during the performance of La Bohme at Tanglewood in August 2018 under the baton of her ex-husband Andris Nelsons. That response is surely a clue to what has brought Opolais, at 35, to where she is today, in huge demand at some of the world\s biggest houses, feted for her singing of Puccini roles-most recently Manon Lescaut, with Jonas Kaufmann as Des Grieux. Continuing our exploration of #50YearsAgo, heres FREE access to the whole issue. Kristne Opolais. She gave a renowned performance in Madama Butterfly, only to step in for a matinee of La bohme the next day . Latvian Artist On Regaining Her Artistic Identity, Motherhood, & Puccini. When it did happen I found that I just got lost in the staging, I was very unhappy and I couldnt make it work. Her unapologetic performance style and ability to portray herself through her heroines has her comfortably placed as one of the most sought after international sopranos today. It is, to be fair, a blessed moment for Kristine (pronounced Kristin-a) Opolais. How do you get yourself into the psychological space to get through something so daunting? I can relate to every part of her role and I adore her. Opolais experimented a bit more with how she approached the staging, and then she understood that I didnt need to be so active in certain parts. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said . The soprano noted that she had been struggling with some physical issues for years but had not paid much attention to it until this point. I know danger and I know what it is to suffer I didnt need to study to be an actress because I went through all the emotions Im presenting on stage. When Im in love Im extremely jealous and when Im not, I couldnt care less. Ive definitely evolved. I thought I would love to have some bed at the opera house not to waste time! Experiencing Opolais' Butterfly two years later is an even more heart-wrenching performance. I listened to Renata Tebaldi and was influenced by what she did. When Rene said that to me it was an incredible moment because she is the best and most definitive Rusalka. Yet, despite such success, her gut feeling was that things weren\t right; she didn\t much like her own voice and wanted to think carefully about her next moves. Its crazy.. Opolais\s revelling in her first immersion in opera took her by surprise, but not so her mother, who, possessed of a fine dramatic voice herself, always recognized her daughter\s potential. "I started to lose voice power, presence, colors, everything," she revealed. Vocally, the soprano has always noted that she takes time to warm up in a performance. I have built my career stepping in, but the most terrifying was at the Metropolitan Opera. Follow my adventures on stage, behind the scenes & around the world! Opolais instantly made up for lost time: she listened and learnt, staying on when the chorus wasn\t needed, absorbing everything. When I put the phone down I spent the first minute thinking it was right to say no. She needs to start her life.. Opolais, despite her glamorous demeanor, captures the fragility of a simple girl captivated by Rodolfo, but destined to succumb to "consumption" (as tuberculosis was known then). June 16, 2017. I feel now I must ration the number of these performances, it is so hard. Kristine Opolais is acknowledged as one of the most exciting young sopranos before the public today. I only want to give my best, and I love my profession, but I also need silence. Ive never run from danger, Ive always run straight through it, so I picked up the phone to call Peter back and before I could say anything he said I knew youd do it. Famously, in 2014 Opolais made history at the Met, making two role debuts within 18 hours. This category only includes cookies that ensures basic functionalities and security features of the website. In 2007 too, Tosca was the role in which Opolais made her Greek National Opera debut. "It's madness. Are o deosebit pasiune pentru operele lui Puccini , iar rolurile principale din opere i-au adus o recunoatere pe scar larg la cele mai importante teatre de oper din lume. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. I had just performed my debut inMadama Butterflyand I got a call the following morning at 7.30am from Peter Gelb asking me to doLa Bohmeat midday for the HD broadcast. It was spellbinding. During Adrianas early years, the soprano had taken her daughter everywhere she could. Rehearsals were minimal for all three operas, given that conductor Bertrand de Billy had to split up his own time with rehearsing three different scores, while the Met Operas own technical departments had to dedicated separate blocks to the three works individually. If people tell me I cant, I try and find the way to do it anyway, she stated. Being the daughter of Andris Nelsons and Kristine Opolais, she has to be sensitive. I then thought about the good reputation I had at The Met, which I had worked so hard to build. I couldnt focus my brain on the arts because of divorce, heath issues and chronic tiredness, and also my daughter was going to school and I didnt really have time for my art. It feels like one big force watching me and keeping me safe. All titles will be broadcast in HD. Shes even struggled with physical ailments that had been bothering her for years and were now interfering with her ability to perform. HOW DO YOU GET YOURSELF INTO THE PSYCHOLOGICAL SPACE TO GET THROUGH SOMETHING SO DAUNTING? 18:35 N'oubliez pas les paroles. When I put the phone down I spent the first minute thinking it was right to say no. She has performed leading roles in such operas as La Rondine, Manon Lescaut, Tosca, La Bohme, and Madama Butterfly, in addition to Suor Angelica.. That would set all the Opolais emotional guns firing. A second attempt went better, and she got a place at the Latvian Academy of Music. We have estimated Kristine Opolais's net worth , money, salary, income, and assets. After. Known as "haunted and focused" Kristine Opolais brings a breath of fresh air to the operatic stage. She was struggling with physical ailments that furthered the challenges of doing what she was advised to do. A few years ago, Opolais found her approach being increasingly questioned and a lot of advice was given to her to sit back, restrain her instincts, and "focus only on singing." She listened and adjusted. That was after my Rusalka at the Bayerische Staatsoper. All images displayed in this article are subject to copyright. 2021 Final Note Magazine. David holds a Masters in Media Management from Fordham University. One might imagine that an international star like Opolais would be able to find a plethora of opportunities in Eastern Europe or specifically in Latvia to perform, but the soprano noted that it becomes increasingly difficult for her to dedicate herself to her art in her home country. You have to listen to yourself and trust your gut, its all about your intuition. Dvok's music is of course very close to my heart, but as I continue my journey through different repertoire my voice is changing and this work is no longer a perfect fit for me vocally. Follow But as Adriana grew, she realized it was selfish. Of course theres been very difficult moments in my career, but it was because of my past that I didnt fall apart completely. She laughs: I am afraid of mouses very much and there was always mouse or some animal droppings on the bed, aaaagh! The other side to her is that shes strong and some productions miss the opportunity to bring her complete role to the stage. AfterButterflyOpolais had enjoyed a celebratory, try-to-wind-down supper, eventually getting to bed at 5am. It shouldnt only be about that. Opera Magazine Features People Kristne Opolais, Obsession. To find out more about Kristin Opolais see: kristineopolais.com, For details about Tosca at the Royal Opera House: Ms. (Laughs) Yes, I am very jealous! 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