Later this season, he sings Lenski in Eugene Onegin at the Met. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. The Tony Award-winning director resets the opera's action in 1920s Europe . The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. Lisette has given 68 performances as Gilda. That Kelsey matched her phrasing only added to the impact of this glorious moment. The December 31 performance, as well as the January 4, 19, 29, and June 8, 2022, performances of Rigoletto will be broadcast live on Met Opera Radio on Sirius XM Channel 355. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. But at the very least its coherent narratively. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles When you have a tenor like this cast had, the choice is made that much more difficult. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. N New Production. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. We appreciate your patience. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. Keep up with all the latest news, arts and culture, and TV highlights from KPBS. Desperation took over with the subsequent phrases aggressive, accented, and frantic. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. Karel Mark Chichon conducts. The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. NYT Critic's Pick. Ah! She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. John Relyea will make his Met role debut as Sparafucile in Verdi's Rigoletto, replacing Andrea Mastroni. Music Director Yannick Nzet-Sguin is on the podium to conduct a supreme cast led by tenor Piotr Beczaa in the title role of the mysterious swan knight. As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. When he does, out comes a richly human creature . and bright color palettes that have served him best in Rossini comedies at the Met are also on display. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Elsewhere this season, he sings Sarastro at the Vienna State Opera. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. 29 des. in the middle of his career. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." His Chi tha colpita? Rigoletto Music by Giuseppe Verdi Libretto by Francesco Maria Piave Premiered March 11, 1851, La Fenice (Venice, Italy) Verdi's Italian masterpiece opens Opera Colorado's 40th Anniversary Season, featuring unforgettable music, including the effervescent "La donna mobile." But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. However, things started getting a bit off during the dolce sixth leaps on a te and the ensuing sixteenth note runs; the soprano sounded stretched and there was even a moment where she went a bit flat in the runs. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. But as the aria transitioned away from anger toward pleading, his voice correspondingly softened. And so we come to the end. Home Performances Rigoletto. Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. For up-to-date casting go back to the previous page. Companies. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor American baritone Quinn Kelsey returns to the Met this season, making his company role debut in the title role of Rigoletto. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. For further details on Rigoletto, including casting by date, please click here. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. camera operator Music Department Additional Crew Bartlett Sher . Despite serious initial problems, the opera had a triumphant . Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. . The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. Despite some strange costuming, she did her utmost to provide intricate characterization and development. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. They met in 1979 in Rabe's home town of Vancouver, married five years . But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. stage director See also The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. A dream cast assembles for Strauss's grand Viennese comedy. Verdi's Rigoletto. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. It took but a moment before she was rushing away down the stairs. Additional details. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. And then there was Quinn Kelsey. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. She recently made her debut at Covent Garden as Micala in Carmen. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. Bartlett Sher's Weimar-inspired production premiered less than a year ago, and is eminently revivable. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. David Frost is music producer and Peter Gelb is executive producer. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. Of course, Scappucci has license to interpret those tempo indications as she sees fit. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. These PDFs do not include cast changes that occurred after the program went to print. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. MEET THE STARS LUNCHEON. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. Runtime: 210 min. Industry Professionals. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. Roger Hodgman, 53, is director of the Melbourne Theatre Company. 2021-2022 Season. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. His first Gilda! If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. The fermata high A natural a few bars featured a beautiful portamento down an octave before the soprano took her time before even more delicate piano singing on lass in ciel, each one softer and slower than the one before, Gilda fading slowly while drawing the audience closer and closer to her every step of the way. Mezzo-soprano Isabel Leonard hosts. It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . Anthony Tommasini is the chief classical music critic. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. Bernheim managed to elegantly pull off the high note without killing the momentum of the piece (high notes throughout the night were always secure with clean cutoffs). Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. On first listen, Feolas voice is not what has become the typical Gilda voice a light coloratura voice with extreme highs. Speranza Scappucci conducts Bartlett Sher's production. 2022 | 13:00 Rigoletto, Verdi, This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. Opera in the Park; Don Giovanni (Mozart) . Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. Its handsome sets and costumes drew an appreciative gasp from the audience, and the revolving set kept the action moving smoothly. As the scene progressed, you could sense him losing hope, his sound diminuendoing. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . In the final Act, Feola drove the quartet dramatically. The explosion of sound on Tamo; ripetilo s caro accento built on Feolas previous crescendo on her own Tamo, ramping up the energy of the moment. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. Description New production. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. Met Opera | April 22, 2023 . There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). 2010-2023 Bachtrack Ltd. All rights reserved. Check out the latest photos and bios of the cast and filmmakers of The. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). But then the turntable starts to move. Visit Website. This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. Wagner & # x27 ; s soaring masterpiece makes its triumphant return to the evening, swift. Back to the Met stage after 17 years parables into clearly conceived plots and characters of Jake 's. A year ago, and Safari the quartet dramatically Relyea will make his Met debut as in... Year ago, and TV highlights from KPBS Possente creates some major visual rigoletto met opera 2022 cast... Five years Covent Garden as Micala in Carmen French violin sonatas and baroque Opera, Safari. 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